MY STORY

In 2008, a chance encounter with willow weaving sparked a quiet but lasting passion. I was drawn to the rhythm of the work and the simple beauty of turning sticks into something useful and lasting. I spent the next few years immersed in mastering the art of basketry and started Hatton Willow in 2012, sharing my work at local events and running small workshops.

In 2015, I left my job in IT to focus fully on the craft. Since then, I’ve woven hundreds of baskets, taught many students, and become part of a community that values traditional skills and making by hand. Each year brings new projects and possibilities, but my connection to the materials and the land remains at the heart of everything I do.

I’m proud to be a Yeoman of The Worshipful Company of Basketmakers, a role that connects me to the long tradition of this craft.
Sarah Hatton

SUSTAINABILITY

Growing my own willow is something that holds real importance for me. I follow organic principles and tend to 25 different varieties, offering a wide range of colours, textures and qualities.

I am involved in every part of the process, from planting and caring for the willow to harvesting, grading, soaking and finally weaving. This hands-on approach keeps me closely connected to the materials I use and helps me make each basket with care and intention

Courses & Teaching

Passing on the craft of willow weaving is something I love. I teach a range of seasonal courses in South Wales, mostly at Nantgarw China Works Museum, where people can learn traditional skills in a welcoming and relaxed setting.

My workshops offer a chance to slow down, connect with natural materials and make something by hand. I use my own willow wherever possible, grown and prepared by me throughout the year. In future, I hope to offer one-to-one sessions and small group workshops from my own space.

Commissions & Collaborations

I enjoy working on commissions that explore the creative potential of willow. Over the years I’ve made a wide range of bespoke baskets and sculptural pieces, each one shaped by its purpose and place.

I also collaborate with other makers and organisations on larger projects that celebrate traditional skills and thoughtful design. These collaborations allow me to push my practice in new directions while staying rooted in the craft.

If you have an idea in mind, I’d love to hear from you